9/10 COMPUTER MUSIC Featuring the raw unfiltered sawtooth and square waveforms, plus white noise from the amazing analogue Kawai 100f synth, sampled through 60s valve equipment to worn tape, to emulate the sound of the mellotron. Mapped to Kontakt 4.2.2.Exs24, Nnxt and Structure, with 350 different patches (175 each for Kontakt and Exs24).

Some very surprising and interesting new sounds from this little known synth - it goes to show that there are some fantastic sounding oscillators hidden away in obscure instruments like this one.

Waveform 72 derives from the front end of a famous 70's monosynth - all 7 waveforms from the oscillators plus pink and white noise 'mellotronized' with 60s valve tape recording equipment. Use the software synthesis of EXS24 or KONTAKT to stack these oscillators into complex polysynths, and your imagination with the modulation/filters/effects etc to create epic sounding analogue monstrosities!

Looped samples also compatible with NNXT and Structure, but no presets I'm afraid. 100 patches and 20 multis for Kontakt 4.2.2 or later 150 patches for EXS24 Super fat basses with this, and capable of the warmest most analogue drum kits you've ever heard...

This sample pack contains 9 different sets of samples - each spanning over 7 octaves (each bank corresponding to the pure, unsynthesized waveforms and noise generators - pre-filter). All samples seamlessly looped with the option of immediate attack and continuous sustain.

Have Kontakt 5? Then skip this perhaps and look at Tronto - it uses the same waveform samples .

"love the waveform72 samples, a great antidote to the more sterile soundsets you often come across. Bags of character in there" - RICHARD X - producer - worked with Goldfrapp, Will Young, Sophie Ellis Bexter, Kylie Minogue, Steve Mason, Saint Etienne, Pet Shop Boys, Sugarbabes and more...

6 sample sets from this superb 70s string synth (the Logan melody 2) 'mellotronized' onto tape, using vintage 60s valve equipment and recorders.

Use the software synthesis capabilities of ESX24 or KONTAKT to create unique new sounds, previously unavailable from this keyboard. Can sound very like a cs80 (Bladerunner) at times, as well as a great oscillator source for conventional synthesis, rather than just the limited string sounds that the original synth was restricted to..

Over 60 preset patches and 10 multis for kontakt 4.2.2, and 80 patches for esx24.

The full version of Kontakt 3 or 4 will be needed to play this product,and version 4.2.2 to utilise the patches.

Both Kontakt and Esx24 banks/patches are in this download,as well as files compatible with Nnxt and Structure, but no patches at present for these.

"I've got Waveform '72 and Logandy and love them. They have a wonderfully melancholy, aged texture and feel that comes across as very authentic..."
BILLY JOE BOWERS - producer/engineer - AC/DC, Bruce Springsteen, Pearl Jam, Metallica, Incubus,Limp Bizkit, Offspring, Johnny Cash, Guns'n'Roses

Two sets of samples from the classic clavinet D6, with the emphasis on exploring new sonic possibilities from this string based keyboard.

• Sampled through 60's valve preamps to worn tape to 44khz/24 bit
• no eq/compression etc.
• Distortion and Wah plus external amps turns this into a monster!

I've created a few unexpected patches, to demonstrate the scope of the clavinet as a different type of synthesizable sound source. I've used an extreme azimuth setting on the tape heads , giving a more 'damaged', brittle sound. These artifact flecks help the distortion work well - enabling bite on low settings with the clarity of the instrument retained.

Contains 2 sets of samples with over 40 patches each for kontakt and esx24 - patches differ across formats.

The full version of Kontakt 3 or 4 will be needed to play this product,and version 4.2.2 to utilise the patches.

Both Kontakt and Esx24 banks/patches are in this download,as well as files compatible with Nnxt and Structure, but no patches at present for these.

A simple sample set from the Hohner Pianet T, but with a twist. As always, sampled to worn tape to emulate the mellotron sound, but this time the samples have been gently overdriven with vintage valves, to bring out the hidden character of the Pianet, which without sounds very polite.

With the valves added, the Pianet comes to life, and sounds like a wurlitzer / rhodes hybrid, and more.

There are over 40 different 70s inspired instrument patches created for Kontakt 4.2.4 (FULL version only) or later, and the wavs will also load in other samplers too (but no presets).

The kontakt patches have a theme of modulation running through most of them, from autowah to ramped lfos and delays (via the mod wheel), as well as classic phasers.

The concept behind the Azimuth Generator is to create a performance and inspiration synth, split into 3 main parts - bass, a mid-section and upper high-section, with white/pink noise samples on the F#1 note. Highly suited to soundtrack composition. Most of the sampled sounds were recorded to tape on vintage valve equipment.

The word 'azimuth' refers to the angle of the tapeheads, which in many cases was adjusted to achieve extra bite (giving a more extreme frequency range for filtering).

The pack is made from 7 sets of samples from different analogue synths, including a harmonically modified square wave bass from a 1950s valve signal generator which has to be heard to be believed...intensely fat and analogue!

Over 150 presets for Kontakt (FULL version only) (some with sequences) and 25 multis...mix and match the presets to build unique inspirational multi-synths.

An updated version of the Organatron m100.

The Hammond m100 sampled to worn tape with vintage valve equipment. The model m100 was used by Pink Floyd on Live at Pompeii, Led Zeppelin on their first lp, Procul Harum and countless other bands.

Featuring the same interface as the microtape series, with an added vibrato feature as well as a rotating leslie effect. Full control over the 'age' of the instrument, via the tape degrader function.

Create different settings for each drawbar - from panning, tape degrading, to effects and different rotary speeds - enabling beautiful and original organ patches.

With 9 drawbars plus harmonic tabs and bass pedals. All controls can be learned by midi cc

Tronsonic's interpretation for Kontakt 5 of the late 70s Japanese preset synth (as used by OMD on many records), also including a few extra features such as polyphony, expression and a tape compression/damage effect.

In order to maintain the purity of the waveforms they chose not to sample to tape (hence the 'tape fx' section), but used valves and a chain of nearly 100 year old interstage transformers to capture the audio.

All of the presets are selectable via the interface (as with the real synth), as well as the effects/edit section under the red button. The tape input gain and warmth settings are also controllable via dedicated attack and decay envelopes, enabling a very accurate emulation of 'hitting' the tape, and its ensuing compression effects. The random gain, warmth and tone are synced to the tape speed frequency knob, which controls the wow and flutter.

Also included are a handful of extra presets, to show some examples of what's possible with this synth. The simplicity of its design is one of its most important features (apart from its sound), as it forces you to get creative with the controls (right click to midi assign) and really 'perform' with it.

Note: The FULL version of Kontakt 5.1 is required (NOT for Kontakt Player)

A recreation of an imaginary Eminent Solina String Ensemble prototype - perhaps found in the basement of the old Eminent factory in Holland.

Featuring over 50 presets and 20 multi presets made up from the 6 different instruments of the original string synth:

Violin, viola, trumpet, trombone, cello and contrabass.

Sampled through vintage valves and transformers from the original Mark1 version (with ensemble effect always ON).

With customisable 3 band eq modulation, plus 2 phasers - allowing a different variety of ensemble effect with a wide range of movement, for complex and evolving synthesized orchestral sounds.

Very effective to layer beneath conventional orchestral samples, as well as to provide that classic 70s string synth sound, and take to further dimensions with the custom ensemble controls.

Full licensed version of Kontakt 5.2.1 required.

Inspired by a famous Japanese modular, with a few alternative features, there are plenty of modulation possibilities, providing much enjoyment to sonic adventurers!

The instrument is streamlined to make it as cpu efficient as possible, and handles very well even with lesser powered computers.

"A Truly Monster Synth!" Will White - Propellerheads

5/5 Soundsandgear

9/10 Computer Music Mag

9/10 Choice Award Musictech Mag

Tronsonic is very pleased to bring you the System1000M modular style synthesizer for Native Instruments Kontakt

* Update BANK 2 is included with this purchase. Now with 5 extra Waveform banks and 150 extra presets

Please note: The FULL version of Kontakt 5.1 or above is required (NOT Kontakt Player)

Inspired by a legendary 4 voice Japanese analogue synthesizer from the late 1970s, 'J4' also includes an extremely comprehensive sequencer.

'J4' features 2 different sets of samples - one set recorded 'DI', with a NEVE style pre-amp/eq and boutique valve mixer at 48khz/24 bit.

The second set uses the same method, but has also been recorded to brand new 'old-stock' tape at 15ips on a Studer A807 quarter inch reel-to-reel recorder.

Please Note: The full version of Kontakt 5.2.1 or above is required. Not for Kontakt Player

The Tronto Trilogy combines 3 of our expertly crafted analogue style synths, featuring TRONTO, VCO & DCO.

The Microtape Bundle contains 18 unique instruments.

Each microtape features sounds or instruments recorded to tape and offers full control over tape degradation, so as to emulate damaged mellotrons or less than perfect tape reproduction (a major part of the 'Boards of Canada' sound for example).