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Pulse is a revolutionary new downloader offering blazing fast speeds and powerful control over your libraries. Loot Audio uses Pulse to power some of our downloads and to make managing your libraries more efficient for you.
After your purchase we will send you a unique code (you will also find the code in your account). Use the code with Pulse to power your download and installation. More information about Pulse can be found here.
What are Credits?
You earn Credits every time you purchase a product from Loot Audio. 3% of your order is added to your account in the form of Credits.
Use Credits for money off future orders or convert them to Sample Credits to download samples from the Sounds section of the site.
A classic Steinway 1926 parlor grand for Kontakt
$29.40
$49.00
Earn 70
Note: This product is compatible with Kontakt Full 5.5 and above
System Requirements
The full retail version of Native Instruments Kontakt version 5.5 (or later) is required to use .nki instrument presets included in this library. The free Kontakt "Player" and "Add Library" import process do not support this standard open-format Kontakt library. Windows XP or higher. Mac OSX 10.6 or higher. Dual Core CPU, 2 GB System Ram, SATA or SSD hard drive recommended for this library.
Note: This software is delivered as a digital download. A broadband internet connection is required.
Originally released in 2010, the Montclarion Hall Piano was recorded in a steep A-framed long hall in the hills above Oakland, CA. It's a place that truly resonates with us, in the same space that Mars, Venus, Mercury and the Apocalypse Percussion Ensemble were captured in, along with a whole host of former Tonehammer epic percussion and choral libraries. It has lush, rich, clear, well-defined and balanced natural acoustic reflections. In our ears, something about this magical room combined perfectly with this piano, creating the right holistic balance. The true instrument here is the piano and the hall together as one.
We recorded in wide stereo from three distances. The close microphone pair is ideal for more intimate scoring. The mid microphone is great for a larger acoustic live feel and the far microphone has an incredibly dreamy texture to it. We also included a selection of live sfx ambiences, abstract atmospheres and evolving soundscapes that can accompany the piano in real-time, just to provide a bit of added inspiration.
We recorded sustains and release samples, as well as pedal sfx, bench, lid and sheet music sounds. Then we popped the hood and went to work, capturing a decent selection of sweeps, scrapes, glisses, rumbles and other effects. Then we pre-pared the piano for a little special treatment, capturing 3 buzzy, resonant and raw tuned string per-cussion sets. Finally, we decided to to a little bare-handed 3-man ensemble percussion at the piano's expense.
