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Pulse is a revolutionary new downloader offering blazing fast speeds and powerful control over your libraries. Loot Audio uses Pulse to power some of our downloads and to make managing your libraries more efficient for you.
After your purchase we will send you a unique code (you will also find the code in your account). Use the code with Pulse to power your download and installation. More information about Pulse can be found here.
What are Credits?
You earn Credits every time you purchase a product from Loot Audio. 3% of your order is added to your account in the form of Credits.
Use Credits for money off future orders or convert them to Sample Credits to download samples from the Sounds section of the site.
Explore a new sonic universe.
$299.00
Earn 747
Note: This product is compatible with Kontakt Player
The Doppler Effect is the change in frequency of a wave as the source and observer move toward or away from each other, for example, what you hear when an ambulance passes by, or the red shift in light observed by astronomers. We have recreated this by recording notes that grow, bend down by a semitone and die away, so they sound like they are shooting past you.
Our shards grid is inspired by light particles, reminiscent of shards of light, or the light spun out at the creation of an accretion disk. The result is swells of sound that rise dramatically in dynamic until they stop dead.
Our momentum grid is inspired by light wave interference theory — notes that increase and decrease in both speed and dynamic, from pulsing to accelerating.
The Warped section contains thirty contrasting sounds to add an extra layer of cosmic depth and atmosphere to your polyrhythmic compositions. Each of these sounds was produced using the organic sample content from the library, designed to add unique depth, texture and atmosphere to any composition. Some samples were made using granular synthesis, while others were pumped through outboard gear, distressors, reverbs, saturators, and guitar FX pedals to create something completely new and original. Presented in our Mercury synth, all of the controls are assignable to your control surface, giving you the immediate ability to make our sounds your own.
A full orchestra made up of 40 strings, 13 woodwinds and 19 brass, recorded as separate ensembles in the crisp, vibrant acoustic of Studio One at the legendary Air Lyndhurst, where we recorded our popular Bernard Herrmann and Studio Orchestra libraries. All 54 of our unique articulations and playing styles, many never before sampled, have been orchestrated by Ben Foskett, produced by Harry Wilson and expertly recorded by renowned engineer Fiona Cruickshank through the famous custom Neve console via legendary Montserrat preamps. With multiple microphone positions (Close, Ambient, Mid & Wide), a Full Mix option created by Fiona Cruickshank, the library is presented in our sophisticated Systems Grid, giving you ultimate controllability and endless inspiration.
We have also created 259 Snapshots — a wide selection of starting points with pre-programmed rhythms and sounds that work instantly, for that extra element of surprise and inspiration. Both detailed and epic, and designed to work perfectly alongside our existing orchestral ranges, Kepler Orchestra is for anyone exploring the cutting edge of modern orchestration, looking to create sophisticated scores for film, TV and games.
The great systems composers of the 20th century such as Riley, Reich, Glass & Adams have had a huge influence on modern music, inspiring composers and artists the world over, from Kraftwerk, Led Zeppelin and Tangerine Dream to Sufjan Stevens, Nils Frahm and Cliff Martinez. Systems music at its core is based on repeated sounds with contrasting rhythmic subdivisions that move in and out of sync, reminiscent of planetary motion — each planet on its own journey, but working together in perfect harmony.
Inspired by this concept, composer and Spitfire Audio co-founder Paul Thomson had the vision of sampling a set of innovative and versatile orchestral articulations and playing styles, cyclical in nature, with the aim of enabling composers to score ultra-realistic repeated notes and complex polyrhythms using samples.
Johannes Kepler was a German astronomer and mathematician, famous for his three laws of planetary motion. Knowledge of these laws, especially the area law, provided the foundation for Sir Isaac Newton’s famous law of gravitation. Kepler was convinced "that the geometrical things have provided the Creator with the model for decorating the whole world". In Harmony, he attempted to explain the proportions of the natural world — particularly the astronomical and astrological aspects — in terms of music. The central set of "harmonies" was the musica universalis or "music of the spheres", which had been studied by Pythagoras, Ptolemy and many others before him.
