To further enrich its sonic potential, v1.2 brings a whole world of FM timbres to Abyss! Using FM in Abyss is as simple as using a filter. With just three sliders you can set the level and the tonal character of the frequency modulation.

The tone colour approach provides a simple way to create complex sounds. This is paired with a modulation system that is as powerful as it is simple to use. Tweak, mangle, modulate your sound to sonic madness or create sensible, nuanced MPE instruments.

The sound engine of Abyss combines the rich and deep textures of natural sounds with the effective flexibility of classical synths. Of course there is a virtual analogue filter, but there are also controls to shape tone colours in unheard ways. Explore fresh sonic possibilities.

Navigating through endless lists of weirdly named sounds is not always fun. In Abyss you can simply surf through a panel with more than 2000 tone-colours. Find your sound faster than ever.

Whether we describe sounds or colours – we use similar words like warm, cold, dark, soft or energetic. Not by coincidence it is called tone-colour. In Abyss different sounds are represented by different colours – a whole new way to design sounds.

Its variation that makes sounds interesting. By placing tone-colours on the gradient you create a palette of timbral variation that becomes the base of your patch. Whether you mainly used presets or you are a seasoned sound designer, with Abyss you simply follow your intuition to create your own signature sound.