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Pulse is a revolutionary new downloader offering blazing fast speeds and powerful control over your libraries. Loot Audio uses Pulse to power some of our downloads and to make managing your libraries more efficient for you.
After your purchase we will send you a unique code (you will also find the code in your account). Use the code with Pulse to power your download and installation. More information about Pulse can be found here.
What are Credits?
You earn Credits every time you purchase a product from Loot Audio. 3% of your order is added to your account in the form of Credits.
Use Credits for money off future orders or convert them to Sample Credits to download samples from the Sounds section of the site.
$69.00
Earn 174
Full control over the processing even in the most demanding situations.
$69.00
Earn 174
Full control over the processing even in the most demanding situations.
Extended envelope settings with full control of Attack, Hold and Release with Manual, Auto and Advanced release modes.
Zero attack time for the dynamics processing by introducing a delay reflecting the attack time into the signal path.
Eight different detection modes interacting with the time and envelope settings as well as with the integration times for the RMS detection. Includes specific “Feed Backward” modes inspired by vintage hardware architectures for producing a naturally “beefy” sound.
Dynamic Factor – Amplifies or diminishes the extracted real-time dynamics information.
Dynamic Velocity – Controls the speed of variation on the extracted dynamics information.
To control the actual Stereo width of the mix a built-in MS encoder/decoder is used to split the stereo-signal in its M and S components in order to control the actual stereo width of the mix.
Details:
The MS Width Control – Sets the stereo width of the processed signal. A -6 dB value deceases the stereo width. A +6 dB value increases the wideness of the stereo mix but can produce phase issue.
(This feature is only available when two channels (no more, no less) are processed.)
Up to sixteen channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.
Details:
When operating on a multi-channel bus all, up to sixteen in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.
By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.
Two parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.
Details:
Dynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).
Level Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range.
A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum values of both the standard and the L.I.D detection schemes.
