Shape your sound's tone while locking it to your track's key: distortion and resonance that always land in tune.

• Tone In Key: Locks the Tone frequency to the nearest musical note.
• EQ Snap (Band 1 & 2): Snaps the EQ band frequency to the musical key.

From analog inspired warmth to hard edged digital saturation, dial in the right character with intuitive drive, symmetry, and curve controls. Includes Console mode with position control. The output clipper can be oversampled 2x, 4x, or 8x to reduce harshness.

• Drive: Adds gain to the input signal, pre clipping.
• Tone: Acts as a tilt filter or high shelf. Optionally snaps to the musical key.
• Clip Filter: Adjusts post distortion coloration.
• Curve: Morphs the shape of the clipping saturation, shown live in the curve display.
• Symmetry: Pushes distortion into asymmetric territory.
• Intensity: Sets how strongly the curve shaping is applied.

Pick a clipping character, then place it exactly where it belongs in the signal chain.

• Clipper Style: Sets the clipping algorithm: Hard, Soft, Cubic, Asym, Fold, Fuzz, or Rect
• Oversampling: 2x, 4x, or 8x. Higher settings reduce aliasing harshness at the cost of extra CPU load.
• Console & Position: Enables a console style algorithm for less digital distortion and more analog warmth. Can be placed at different positions in the DSP chain, for example pre EQ.

Snap your tone and EQ frequencies to musical notes. Stay in key, design harmonics with intent, and never second guess your filter tuning.

• Low Cut: High pass filter ahead of the EQ stage. Set all the way left to switch it off.
• Slope: Sets the steepness of the Low Cut filter, in dB per octave.
• Freq: Center frequency of the selected EQ band, 1 to 4. Can snap to the nearest musical note.
• Gain: Boost or cut at the selected frequency.
• BW (Q): Controls the resonance or width of the band.
• Peak: Shapes the slope of the resonance. Use with caution, it can cause self resonance.
• Pan (EQ 3 & 4): Spreads the band left and right in the stereo field.