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Plugin

Effects

MAAT

SantaCruzEQ12

$199.00

Earn 507

SantaCruzEQ12
SantaCruzEQ12

Twelve precision variations on “analog,” all in one affordable EQ.

0

Plugin

Effects

MAAT

SantaCruzEQ12

$199.00

Earn 507

Twelve precision variations on “analog,” all in one affordable EQ.

0

Twelve beautiful analog Architectures that will ramp up your reputation. Yes, Your Blueness Why develop yet one more minimum–phase parametric equalizer (MP PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas. We know you’ll enjoy our dozen variations of blue, newly revised by MAAT, and find your favorite sound. The Not So Dirty Dozen We wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog baggage, SantaCruzEQ has no noise, distortion or other secondary effects inherited from analog. SantaCruzEQ12 is a complete collection of classic equalizer Architectures, assembled into one package. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. Whether it’s vintage, modern, or experimental, SantaCruzEQ is a sonic sandbox for every mixing and mastering engineer to mess around in. BFF The equalizer is perhaps the oldest and the most popular of sound processing tools. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies. For a century, engineers have developed countless equalizers. A few became legend, our thEQorange is one. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. It offers maximum flexibility with only three controls. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. As Spidey (and Voltaire) always reminds us though, “With great power comes great responsibility.” When designed by a clueless or cost–constrained software engineer, it can be your greatest sonic enemy. Choice Is Good SantaCruzEQ is the low CPU version of thEQblue, with six utilitarian Sections. In order to give you a choice of features and price, SantaCruzEQ is available in two versions: SantaCruzEQ6, with 6 Architectures; β„–s 1 through 6 belowSantaCruzEQ12, with 12 Architectures; all twelve below

Product Overview

Twelve beautiful analog Architectures that will ramp up your reputation.

Yes, Your Blueness

Why develop yet one more minimum–phase parametric equalizer (MP PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas. We know you’ll enjoy our dozen variations of blue, newly revised by MAAT, and find your favorite sound.

The Not So Dirty Dozen

We wanted to lift analog to another level, so we reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog baggage, SantaCruzEQ has no noise, distortion or other secondary effects inherited from analog.

SantaCruzEQ12 is a complete collection of classic equalizer Architectures, assembled into one package. You get precise, idealized examples of legendary analog equalizer circuitry, complemented by progressive new models. Whether it’s vintage, modern, or experimental, SantaCruzEQ is a sonic sandbox for every mixing and mastering engineer to mess around in.

BFF

The equalizer is perhaps the oldest and the most popular of sound processing tools. From its earliest days, the main function was correction or enhancement by boosting or cutting certain frequencies.

For a century, engineers have developed countless equalizers. A few became legend, our thEQorange is one. The most popular version in recording and post is the parametric equalizer or PEQ, first perfected by Massenburg in 1972. It offers maximum flexibility with only three controls. Properly used, the PEQ is a powerful tool and the best friend of every audio engineer in the quest for perfect sound. As Spidey (and Voltaire) always reminds us though, “With great power comes great responsibility.” When designed by a clueless or cost–constrained software engineer, it can be your greatest sonic enemy.

Choice Is Good

SantaCruzEQ is the low CPU version of thEQblue, with six utilitarian Sections. In order to give you a choice of features and price, SantaCruzEQ is available in two versions:

SantaCruzEQ6, with 6 Architectures; β„–s 1 through 6 below
SantaCruzEQ12, with 12 Architectures; all twelve below

Features

SantaCruzEQ borrows the innovative code from both Algorithmix’s original PEQ Blue and our own thEQblue remix, wrapping it in a modern, higher fidelity environment designed to help you be more productive.

  • The most complete collection of classic analog equalizer emulations
  • Six or twelve different equalizer types; in total, 10 serial & 2 parallel
  • Up to 12 PEQ styles for every job: classic, vintage, modern and unconventional
  • Different Q characteristics: classic, constant–Q, proportional, ideal–Q and special
  • True high resolution emulation of analog equalizers, not modeling: no added noise, distortion or other non–linearities
  • Support for up to 384 kHz sample rate, suitable for HRA and game production and post
  • Extended center frequency up to 80 kHz for filtering and correction in the ultrasonic
  • Bell filters in all PEQ types are normalized to look identically at +6.02 dB of gain and Q of 0.71, ideal for quick comparisons between types
  • Six Sections total, with four having freely assignable parametric filter variants: bell; multi–order high & low shelf; multi–order high & low cut
  • “Outer” Sections, the first and last, offer multi–order high & low shelf and multi–order high & low cut
  • Extremely low noise and low nonlinear distortion algorithms result in residual THD+N significantly lower than 24 bit quantization noise
  • Adjustable Q Factor for bell filters
  • Adjustable slope for shelving and cut filters
  • Multiple low and high cut filters can be overlapped to achieve brickwall slopes
  • Very low noise and distortion upsampling for analog–like filters at baseband sample rates
  • Insane 80 bit “long double” precision internals virtually eliminate rounding errors and resulting distortion
  • Resizable and zoomable frequency response graphing for precise adjustments
  • Parameter editing via numerical fields or directly on the Graph
  • Presets for quick setup comparison
  • Several instances, each with different PEQ architectures, can be opened simultaneously
  • Band grouping function lets you simultaneously alter ƒ, Q and gain for multiple Sections
  • ƒ lock function when you’ve found your resonant frequency and want to alter just Q or gain
  • True Peak metering alerts you to TP overs
  • Sort button rearranges Sections in order, from low to high ƒ, with a single click

Better By Design

SantaCruzEQ is built on the belief that exceptional fidelity, enhanced workflows and less visual fatigue are hallmarks of better quality toolsets. Our reliance on hard science and focused research balanced by in–depth listening and customer feedback, redefines audio tools for you and your fellow hardcore media professionals worldwide.

Applications

With a very wide range of choices, you are ready to tackle any job with a subtle or obvious approach.

  • Tracking, mixing & mastering
  • HRA post including ultrasonic tailoring
  • Broadcast production & post
  • Game production
  • Reinforcement: microphone response improvement, speaker deficiencies correction, acoustic compensation
  • Sound design & enhancement
  • Restoration & correction of transmission losses

Additional Information

Download — SantaCruzEQ User Manual

The user manual PDF includes a ton of useful info, check it out…

Download — Understanding EQ Architectures

This PDF provides detailed information for all of SantaCruzEQ’s twelve Architectures…

Session Compatibility between SantaCruzEQ12 and SantaCruzEQ6

Session interchange between the two versions can take two forms:
• Scenario A: A colleague uses instances of SantaCruzEQ6 in a DAW session, then sends the session to a colleague with SantaCruzEQ12. — All instances will open and work correctly.
• Scenario B: A colleague uses instances of SantaCruzEQ12 in a DAW session, then sends the session to a colleague with SantaCruzEQ6. — This scenario is only slightly more complicated…If the sender restricts their use to Architectures No. 1 through 6, then all instances will open as saved. If however, the sender uses Architectures No 7-12 in a saved session and sends that to their colleague, it will “snap” to Architecture No. 1 and may/will need to be remapped.

Features

  • Four fully parametric minimum–phase Sections for complete versatility
  • Two Sections with parametric shelving or cut topologies for high or low frequency control
  • 80 bit internal precision blows away the competition for sound quality
  • Up to twelve unique idealized Architectures, derived from analog circuitry
  • Broad choice of cut, shelf and bell topologies
  • AutoGain for effortless A/B comparisons
  • Proprietary oversampling for “analog” sound at 44.1 and 48k

Supporting

  • AAX Native (Pro Tools 10.3.10 and newer), AU, VST 2, VST 3
  • Sample rates from 44.1 to 384 kHz

VST - VST PlugIn Interface Technology by Steinberg Media Technologies GmbH

License

Perpetual: One–Time Buyout…

  • SantaCruzEQ6 [Architectures No. 1-6]
  • SantaCruzEQ12 [Architectures No. 1-12]

Requirements

  • macOS 10.9 and newer, 64 bit only
  • Windows 7 and newer, 32 & 64 bit

Categories:

Effects Sound Design EQ

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