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The professional composer series.
$399.00
Earn 1197
A vintage concert bass drum with a single 32” head on a shallow open shell. This drum combines a defined attack, woody overtones and balanced resonance.
Performances with wooden drum sticks producing a hard and immediate attack with a powerful tone
Performances with a hard felt mallet producing a strong attack and a balanced tone
Performances with a hard felt mallet and a cloth placed over the drum head producing a muted sound
Performances with a medium felt mallet with a less immediate attack revealing clear undertones
Performances with fine metal brushes for a more delicate timbre
Performances with wooden rods producing an articulate sound with reduced resonance
All available beaters and techniques for the Bass Drum presented across the keyboard
An orchestral staple, this 36” gran cassa is a two-headed concert bass drum with huge dynamic range and a very deep, complex sustain.
Performances with wooden drum sticks producing a hard and immediate attack with a powerful tone
Performances with a hard felt mallet producing a defined attack and a balanced tone
Performances with a medium felt mallet with a less immediate attack revealing clear undertones
Performances with a plastic/poly beater to create a narrower sound with less low frequency information
Performances with a super soft beater creating an extremely mellow attack and a boomy resonance
Performances with fine metal brushes for a more delicate timbre
Performances with wooden rute, creating an intricate and earthy high pitched 'tap'
All available beaters and techniques for the Gran Cassa presented across the keyboard
An Argentinian bass drum with a 20" hide head tuned with rope. It produces a low, organic sound with a very short sustain.
Performances with a hard felt mallet producing a defined attack
Performances with a hard felt mallet and a cloth placed over the drum head to produce a muted sound
Performances with a soft felt mallet producing a rounded attack
Performances with a soft felt mallet and a cloth placed over the drum head to produce a muted sound
Performances with wooden sticks on the sides of the drum
All available beaters and techniques for the Bombo presented across the keyboard
Constructed from a shallow wooden frame clad with a 22” buffalo skin head, this drum produces strong overtones with a rich, blooming sustain.
Performances with a hard beater producing an articulate attack
Performances with a soft beater producing a rounded attack
All available beaters and techniques for the Buffalo Drum presented across the keyboard
A two-headed drum from the Indian subcontinent. Each head is struck with a different beater to produce the dhol's signature tones.
Performances with traditional wooden dagga and tihli sticks
A pair of djuns (dundun) hailing from West Africa, these instruments are adept at carrying strong rhythms with a balanced, 'forward' tone.
Performances with a hard felt mallet producing a defined attack with a balanced tone
Originating from China, thIs large pair of dagu drums (or ‘Dragon Drums’) produce strong and characterful tones with lengthy sustain.
Performances with wooden sticks to produce the traditional dagu sound
Performances with a hard felt mallet for a less pronounced attack
All available beaters and techniques for the Dragon Drums presented across the keyboard
A pair of floor toms positioned on opposing sides. These drums provide a tight, powerful attack and an explosive, hard-hitting tone.
Performances with taiko sticks producing a hard attack and accentuated top end
Performances with taiko sticks and a hide skin placed over the head of the drum for a muted sound
Performances with wooden rods producing an articulate sound with reduced resonance
All available beaters and techniques for the Epic Toms presented across the keyboard
With its 60” diameter shell this giant taiko (or O-Daiko) produces deep, controlled lows whilst remaining dexterous and agile.
Performances with taiko sticks producing a hard attack
Performances with taiko sticks and a blanket covering the rear head of the drum to reduce resonance
Performances with felt mallets for a variation on the classic taiko sound
Performances with felt mallets and a blanket covering the rear head of the drum to reduce resonance
Performances with fists on the head of the drum producing a softer attack with a darker tone
All available beaters and techniques for the Giant Taiko presented across the keyboard
This gong drum is constructed with a single oversized head, producing a very fat and 'modern' sound with a fast attack and punchy low end.
Performances with a hard felt mallet producing a strong attack
Performances with a soft felt mallet producing a rounded attack
Performances with bamboo puili sticks creating a detailed, high pitched attack with a tight resonance
All available beaters and techniques for the Gong Bass Drum presented across the keyboard
A Brazilian instrument which traditionally provides the lower rhythms in samba music. This 22" aluminium shell variant produces a dense sound with a distinctive attack.
Performances with a felt beater to produce the signature surdo sound.
Performances with the hands on the head of the drum
All available beaters and techniques for the Surdo presented across the keyboard
A pair of Japanese solid Siam oak taiko drums producing a very focussed sound with which to create impactful, driving rhythms.
Performances with wooden taiko sticks to produce the traditional taiko sound
Performances with hard felt mallets for a variation on the classic taiko sound
Performances with medium felt mallets producing a mellower attack
Performances with brushes for a more delicate timbre
Performances with the hands on the head of the drum
All available beaters and techniques for the Low Taiko drum presented across the keyboard
All available beaters and techniques for the High Taiko drum presented across the keyboard
A spread set of vintage silver single headed toms, adept at both slow and rapid accented passages owing to their extremely clear and resonant tone.
Performances with wooden drum sticks producing a hard and immediate attack with a powerful tone
Performances with wooden drum sticks on the rim of the drum to produce a 'tapping' sound
Performances with wooden drum sticks and a tea towel placed over the head of the drum for a muted sound
Performances with a hard felt mallet producing a strong attack with a balanced tone
Performances with dense nylon brushes producing a softer attack but with plenty of body
All available beaters and techniques for the lower pitched Toms presented across the keyboard
All available beaters and techniques for the higher pitched Toms presented across the keyboard
A full-sounding room mix by Simon Rhodes, formed from Tree 1, Overheads, Outriggers 1, and a curated blend of spots.
A tighter mix by Simon Rhodes, formed from Tree 2, Mids and Outriggers 2 with a curated blend of spots.
A set of large diaphragm condenser microphones above the orchestral section capturing a clear representation of the instruments in the space.
A blend of spot mics close to the source. Used in conjunction with the other close mics and section overhead to achieve the desired close sound.
An alternative blend of spot mics which add body and air to the source.
A pair of close ribbon mics capturing a rounded and detailed image.
A decca tree formed of Abbey Road’s finest trio of classic valve omnidirectional microphones creating a lush and full sound.
A tighter, closer decca tree formed from mics with a more directional pattern, suited to faster, more detailed material.
Used in conjunction with either tree to obtain a wider image. This pair utilises omnidirectional mics to reproduce the full width of Studio One.
Used together with either tree to obtain a wider image. This pair uses mics with a more directional pattern, pulling the edges of the room inwards.
A pair of valve REDD mics placed between the conductor and the source which adds extra focus to the sound when combined with the Tree and Outriggers.
A pristine pair of small diaphragm omnidirectional microphones to the rear of the room for a natural ambience.
A pair of original RM1B microphones placed in front of the conductor, combined with some classic ribbons to form a vintage scoring stage sound.
A pair of classic 44BX microphones placed by the conductor for an alternative vintage scoring stage sound.
A Simon Rhodes mix of close mics panned centrally to give a flexible image not restricted to the orchestral layout.
A summation of spot mics placed around the other sections. These capture the natural 'spill' from the source across the orchestra for added realism.
A bespoke IR developed at Abbey Road Studios
This library has been formed by some of the world’s best producers in music recording, created for professional composers of film, television, game and performance.
Joby Burgess
Black Panther, Mission: Impossible
Joby’s playing can be heard on major film and TV scores, notably leading the percussion sections on Black Panther, Rocketman, Ad Astra, Mission: Impossible, The Darkest Hour, Dr Who andThe Green Planet.
Simon Rhodes
Titanic, Skyfall
Simon joined the EMI Abbey Road Studios in 1987. He is now Senior Engineer and has a long standing association with various composers including the late James Horner with whom he worked for 18 years on over 40 projects includingAvatar, one of the highest grossing films of all time.
Priceless instruments
Diverse drums spanning a huge tonal palette
Next-level control
Shape percussion for your composition
Ultimate precision
Broadcast-ready quality, out the box
Studio One: Icon of the past, innovator for the future
A host to celebrated classical recordings from Elgar and Prokofiev, as well as iconic film scores from The Lord Of The Rings Trilogy, The Empire Strikes Back, and the more recent releases of Avengers: End Game and Black Panther, Studio One needs no introduction. Home to one of the greatest in-house collections of vintage and modern microphones and a control room fitted with a 72-channel Neve 88 RS console with a unique and comprehensive surround monitor section, Studio one is the perfect setting for our meticulously planned recording sessions. Our aim is to work with the best, to deliver you the world’s most detailed sampling orchestra in Abbey Road - one of the most in-demand recording studios in the film scoring landscape.
macOS requirements
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