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Access your downloads, purchases and more
Pulse is a revolutionary new downloader offering blazing fast speeds and powerful control over your libraries. Loot Audio uses Pulse to power some of our downloads and to make managing your libraries more efficient for you.
After your purchase we will send you a unique code (you will also find the code in your account). Use the code with Pulse to power your download and installation. More information about Pulse can be found here.
What are Credits?
You earn Credits every time you purchase a product from Loot Audio. 3% of your order is added to your account in the form of Credits.
Use Credits for money off future orders or convert them to Sample Credits to download samples from the Sounds section of the site.
$89.99
Earn 203
Shape your tone with the musicality of API compression and EQ.
The original API 2500 Compressor bent the rules, with two compression topologies—you could choose “Feed Back” compression for the smooth, vintage, leveling-amp sound, or “Feed Forward” compression for a snappy, modern response. The API 2500 plugins offer both.
It’s no wonder the 2500 has been embraced by cutting-edge mix engineers—its Thrust option is the key to killer kicks and booming bass. Nothing else can decrease low-frequency pumping, while compressing the highs so well.
The 550A and 550B EQs shared the same exacting standards and sound quality, but targeted different needs. The API Collection includes the 550A’s more general design, and the 550B’s specific, problem-solving approach.
Known for its uncanny ability to solve EQ problems or add character, the pioneering proportional-Q curve made the 550A and 550B favorites for high-end studios that demanded musicality with transparency and accuracy.
The 560 Graphic EQ had the traditional graphic interface to make broad equalization changes, but combined it with proportional-Q filters for API’s natural, uncolored sound quality. To this day, the 560 remains a studio and live stalwart.
The API Collection features presets from top producers, mixers and mastering engineers like Steve Lillywhite, Tony Maserati, Greg Wells, and Drew Lavyne, as well as the option to switch in the subtle harmonic distortion and hiss of the original hardware.
