Realm of Omnisphere II

The ambient sounds are very atmospheric, great for filmscoring and ambient oriented music. The ambient sounds are making extensive use of Omnisphere's orb and the many lfo and modulation capabilities, which gives these patches an ominous and scary character perfect to be used for sci-fi, thriller and horror movies.

The arpeggio sounds will give you instant inspiration. Most of the arpeggio patches use three or four layers in comparison to Omnisphere's 2 two layers. The arpeggio patches are making use of controller messages like modwheel and aftertouch extensively.

The pads are very lush and thanks to the Orb, which is turned on in some of the patches, gives them a lot of evolving motions, which is great for soundtracks, new age and ambient types of music. We can describe these sounds as epic, ominous, mysterious, magical and weird in some cases. These pads will give you instant inspiration.

The strings sound section contains acoustic type strings, luscious synth strings, old style strings, plucked strings and guitar sounds. Guitar sounds layered with voice and string sounds sound fantastic and will give you instant creativity. The vintage strings will throw you back into the 70's and 80's eras.

The synth sounds are more synth oriented and contain less evolving moods like the ambient and pad sounds. Also epic polysynth sounds, with or without resonance, aggressive synth sounds which cut through the mix like a knife through butter, are also present. The granular synthesis system is also used sometimes to give the sounds some 'bite'.

⦁ For Omnisphere 2.5.1d or higher
⦁ Only Omnisphere's soundsources were used
⦁ A total of 172 patches of which 139 are single patches and 33 are multis
⦁ The patches are organized via sound category
⦁ The patches can be modulated via velocity, modwheel and aftertouch
⦁ 2.4 GHz or higher processor
⦁ Microsoft Windows 7 or higher
⦁ OS X 10.11 El Capitan or higher
⦁ AU, VST 2.4 or higher, AAX host software
⦁ 64-bit host