Sign in to Loot Audio
Access your downloads, purchases and more
Access your downloads, purchases and more
Pulse is a revolutionary new downloader offering blazing fast speeds and powerful control over your libraries. Loot Audio uses Pulse to power some of our downloads and to make managing your libraries more efficient for you.
After your purchase we will send you a unique code (you will also find the code in your account). Use the code with Pulse to power your download and installation. More information about Pulse can be found here.
What are Credits?
You earn Credits every time you purchase a product from Loot Audio. 3% of your order is added to your account in the form of Credits.
Use Credits for money off future orders or convert them to Sample Credits to download samples from the Sounds section of the site.
An exploration into changing an irritating sound into something beautiful
$47.36
Earn 105
The Duck of Death contains 200 patches, 50 multis and 165 original soundsources. The patches are divided into 11 categories that are easily identifiable within Omnisphere.
Arp + Bpm (51), Distortion (6), Electronic Mayhem (2), Hits And Bits (16), Keyboards (2), Pads + Strings (34), Synth Bass (20), Synth Long (8), Synth Mono (6), Synth Poly (37), Texture Soundscapes (18).
The Multis are divided into two categories with 25 multis in each:
Cinematic Duckments and World of Ducks.
The Duck of Death also contains a bonus library of drums recorded from a cardboard box and processed into electronic drum kits. This is provided in a simple Kontakt instrument as well as .wav files.
Demo
I'm offering a freebie of 10 patches for you to test out what The Duck of Death is. Click the Demo Icon near the top of this page
The Big Duck is the main vocalist of the library, producing most of the raw sonic material. Capable of doing short and long notes, The Big Duck specializes in monotonous delivery. Beat it enough and you can get some more colours out of it. And actually beating it with a stick produces some monotonous thumps.
It barks.
