Multitude of purposes
Sigmund can be effortlessly applied in nearly any configuration in the studio. It can be used as an insert effect for an instrument or bus channel, or as a versatile send effect with the help of a parameter lock that allows for auditioning presets without having to readjust the wet/dry mix with each new selection. The plugin can be used universally not only as a delay, but also as a:
- Tremolo
- Filter
- Limiter
- Distortion
Each of these possibilities above is a result of the direct usage of the various modules that we have at our disposal in the processing path. But also indirectly, depending on parameter values, there are other possibilities, including:
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Chorus – from small delay time values
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Flanger – from small delays with feedback added
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Spatializer – by applying delays on delay lines with different signal domains (M/S or L/R) and phase shifts between the channels
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Mastering / Bus dynamic processor - Setting modulators working as transient triggerable envelopes affecting signal’s amplitude it’s possible to control the dynamics very precisely.
Despite all of the facts presented in this brief description, you get much, much more, because these are only examples of Sigmund's most basic operation. With the benefit of an incredibly flexible signal routing system, these simple strategies can be freely shuffled and combined for practically unlimited sound shaping depth. Things can go from basic to very advanced indeed before you know it, and more easily than you perhaps considered possible. And, all this in the highest available audio quality! This is only the start of wonderful sonic journey you’re about to embark on...