Contrast transcends choral cliches to offer exciting new creative opportunities, showcasing the human voice as an instrument of boundless innovation, range and emotive power, whilst expanding on the sonic palette of Eric Whitacre Choir.

At the heart of the library are 245 experimental techniques performed by 19 members of the Eric Whitacre Singers (Soprano 5, Alto 5, Tenor 4, Bass 5) recorded with a comprehensive range of mic positions in the stunning acoustics of AIR Studios, home of countless blockbuster scores. Each technique, curated with the awe-inspiring expertise and precision of Eric Whitacre, is presented with two contrasting tones — ‘Light’ and ‘Dark’ — Light created with an open vowel shape, and Dark with a closed vowel shape. This seemingly subtle change creates a completely different tone and timbre. The techniques themselves — aptly named fragments, shards, divergences, murmuring, prisms — have been carefully curated to subtly (and sometimes dramatically) dance and move beneath your fingertips, moving at different intervals and through varying shifts in dynamic, tone, and pitch.

The eDNA synth engine moves these stunning choral performances into the electronic sphere to create rich, multi-tonal synth textures that haunt and glisten, offering limitless inspiration whether you’re a pop producer, beat maker, sound designer, or composer writing your next sci-fi, horror or game score.

Harnessing sophisticated technology and innovative processing techniques, it features 24 warps and 92 synth presets created from the organic material, as well as a huge range of in-built controls and FX for maximum creative control and endless sound design possibilities within the plugin. The synth engine also features bespoke presets from three outstanding guest sound artists — Oscar-nominated composer Ryan Lott (Son Lux), Clark, and Kaitlyn Aurelia Smith.

The engine contains two sound bays much like a mixer, with individual and independent modulators, control of trim, bend, glide, cloning, tuning, ADSR, LPFs, HPFs and wobbles that modulate pitch, volume and filters. The onboard gate sequencer allows independent gating between these two bays and unified control of amount, shape, speed and length of sequence. These two signals are then unified with a x-fader.

On our Fragments techniques, which move in varying intervals, our Scale Mode technology allows you to select from any of the seven diatonic modes, or build your own scale. From there, it intelligently selects the samples that conform to that scale, split by velocity, developing these intervallic techniques and triggering wider intervals at higher velocities. All techniques can also be recombined and layered in our stunning Evo Grid, mappable across the keyboard in endless combinations, either manually or in pre-made configurations of rich, evolving textures. Click ‘Feeling Lucky’ to randomise these combinations for instant inspiration, breathing new life into your music.