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Pulse is a revolutionary new downloader offering blazing fast speeds and powerful control over your libraries. Loot Audio uses Pulse to power some of our downloads and to make managing your libraries more efficient for you.
After your purchase we will send you a unique code (you will also find the code in your account). Use the code with Pulse to power your download and installation. More information about Pulse can be found here.
What are Credits?
You earn Credits every time you purchase a product from Loot Audio. 3% of your order is added to your account in the form of Credits.
Use Credits for money off future orders or convert them to Sample Credits to download samples from the Sounds section of the site.
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So many of the original Helios channel strips have been modified over the years, so we went to the source: Eddie Kramer’s extensive research led us to the console that best characterized the sound he obtained on classic rock recordings—most recently used in the legendary Rolling Stones Mobile Studio.
Helios Channel’s EQ has the uncanny ability to seemingly make anything that goes through it sound better. This wasn’t just because of the circuitry, but the intelligent choices made regarding frequencies and boost/cut options.
Reproduce the authentic color and harmonic distortion of the original preamps. Plus, as an option, add analog noise and 50/60 Hz hum to get the full original analog character—or turn them off to bring Helios Channel into a pristine new world.
The midrange is the most crucial part of the Helios EQ. With 8 carefully chosen center frequencies, gain adjustment control, and choice of boost or cut, HLS Channel delivers true, tonal tailoring for individual instruments.
The clever bass parameter design makes it easy to control the low end. Boost at 4 critical frequencies (60, 120, 250, 400 Hz), or cut 50 Hz by 3 to 15 dB—essential when mastering for vinyl.
The secret weapon for many engineers is adding a boost at 10 kHz to give air, definition, and brightness. The Helios Channel’s 10 kHz boost (up to 12 dB) is unusually sweet—or, cut highs for sounds that are overly bright.
