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Pulse is a revolutionary new downloader offering blazing fast speeds and powerful control over your libraries. Loot Audio uses Pulse to power some of our downloads and to make managing your libraries more efficient for you.
After your purchase we will send you a unique code (you will also find the code in your account). Use the code with Pulse to power your download and installation. More information about Pulse can be found here.
What are Credits?
You earn Credits every time you purchase a product from Loot Audio. 3% of your order is added to your account in the form of Credits.
Use Credits for money off future orders or convert them to Sample Credits to download samples from the Sounds section of the site.
$69.99
Earn 158
Mix with the signal chain that powered Led Zeppelin.
3 Plugins Included:
Kramer Master Tape models ¼” analog tape saturation with uncanny accuracy—but also delivers tape delay effects. You can even isolate the tube mic pre’s sweet analog sound, and use it independently of the tape effects.
Waves flew in virgin 3M Scotch 207 tape from Australia (really!) for the modeling process. The tape’s extended high-frequency response was the studio’s favorite for reproducing the sparkle of voice and acoustic instruments.
Kramer HLS Channel’s EQ has the uncanny ability to seemingly make anything that goes through it sound better. This wasn’t only about the circuitry, but the intelligent choices made for EQ frequencies and boost/cut options.
The clever bass parameter design makes controlling the low end easy (even for vinyl). The comprehensive midrange options are ideal for tone-shaping, and boosting the 10 kHz range adds unusually sweet air and brilliance.
The Pye compressor used pulse-width modulation—not opto, FET, VCA, or other common gain-control elements—to control gain. This is the secret to Kramer PIE’s fast, transparent, low-distortion compression.
Although the Pye compressor was revered for bus compression (whether for drums, background vocals, or masters), PIE is also a transparent compressor for any audio source--especially vocals and bass.
Eddie Kramer helmed the studio—and worked this gear—when he recorded and mixed Jimi Hendrix and Led Zeppelin. Eddie was also there to help us choose the precise units being emulated, and then inspect, fine-tune, and validate the analog modeling process, to ensure that the modeled plugin versions match the precise sonic qualities of the originals.
