SOUNDS
There are 32 oscillator waveforms to choose from. Mostly different flavors of saw and other spiky waveforms as those work best with layering. Oscillator waveforms are tagged by source:
Modern analog – generated with eurorack modular system, based on Intellijel Dixie and Doepfer A-110-4 oscillators, first being triangle core and second sine based (sine waveform is not a derived from other waveforms by waveshaping). There are several saw flavors processed by different
filter types, where cutoff is modulated loosely by pitch CV. Besides regular shapes there are numerous exotic shapes, generated by mixing and
processing regular waveforms, using ring modulators, rectifiers, logic modules etc., all in analog domain.
Vintage analog – generated with Sequential Circuits Six-Track synthesizer, which has a neat feature of mixing three basic waveforms. There are three basic waveforms: saw, pulse and triangle and two mixed waveforms: saw + triangle and saw + pulse. There are also two versions of saw processed with tuned Moog type low pass filter. Tuned means that I used oscilloscope to manually tune the cutoff for each semitone, so the waveform shape is consistent over the whole set. This synthesizer is also the source of noise oscillator.
Vintage string machine – that’s a single pulse waveform recorded from1979’s Siel Orchestra, which had a solo mode being basically a single oscillator out. This set doesn’t cover the whole 84 semitones, lowest and highest octaves will be derived by pitching the samples in Kontakt.
Early mini clone – generated with eurorack oscillator, being the clone of early design of Minimoog model D using no integrated circuits. This set includes Mini’s trademark ‘sharktooth’ waveform and the only rectangle shape available (not exactly rectangle if you look at it).
Vintage digital – two extra waveforms, generated with Casio CZ-3000, a unique phase distortion synthesizer.