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Access your downloads, purchases and more
Pulse is a revolutionary new downloader offering blazing fast speeds and powerful control over your libraries. Loot Audio uses Pulse to power some of our downloads and to make managing your libraries more efficient for you.
After your purchase we will send you a unique code (you will also find the code in your account). Use the code with Pulse to power your download and installation. More information about Pulse can be found here.
What are Credits?
You earn Credits every time you purchase a product from Loot Audio. 3% of your order is added to your account in the form of Credits.
Use Credits for money off future orders or convert them to Sample Credits to download samples from the Sounds section of the site.
$19.99
Earn 54
Creative Tone Controller
LFO A / LFO B
Sync: Choose between a free-running LFO, or one that is synced to the beat of your host DAW.
Waveform: Select the shape of the LFO. From top to bottom: sine, triangle, saw-tooth up, saw-tooth down, square, and sample-and-hold.
Sync: When running in BEAT sync mode, sets the length of one LFO cycle in terms of beat-and-note length, from 32 bars down to 1/32 note (that is, a demisemiquaver). When running in FREE sync mode, sets the length of one LFO cycle in terms of cycles-per-second (Hz), from 0.03Hz to 10Hz.
Offset: When running in BEAT sync mode, offsets the LFO’s phase, or starting point.
Stereo: Creates a phase offset between left and right channels of the LFO signal. At ±100%, the channels are fully offset, with one channel hitting its maximum value when the other reaches its minimum. At 0% the two channels remain locked together.
Target: Selects the parameter that will be controlled by the LFO. As well as controlling the EQ’s parameters, LFO A can control LFO B’s parameters, and vice-versa.
Amount: Determines how strongly the LFO signal impacts on the targeted parameter.
Meter: The two-part bar meter provides an intuitive visualisation of how strongly each channel of the LFO is impacting on the targeted parameter.
EQ SECTION
Band Cutoff Frequencies: Sets the cutoff frequency for each band, thereby determining the range of frequencies that will be impacted by the band. Drag the left-hand vertical bar to control the upper limit of the low band and lower limit of the mid band; drag the right-hand vertical bar to control the upper limit of the mid band and lower limit of the high band.
Low / Mid / High: Sets the amount of cut or boost to apply to each band, from -60dB to +24dB.
Mute: Disables the band so that it is not heard. Muting two bands, leaving one unmuted, allows BLEASS Motion EQ to operate as a filter.
Output Bus: Directs the band’s signal to one of three output busses. Bus 1 feeds the track on which the plugin is inserted. Use your DAW’s routing options to direct busses 2 and 3 to other tracks within your project.
MULTIBUS OUTPUTS
BLEASS Motion EQ can route each band in a separate output bus:
On Desktop, Ableton, Bitwig & Pro Tools allow to route each band in a separate channel.
On iOS, AUM offers the ability to route each band via multibus outputs
PC:
Mac:
Format:
