The presets in Chroma Campfire mirror the aesthetic of Boards of Canada, so there’s a strong focus on ambient pads infused with white noise, fuzzy distortion, tape delays, and dark reverbs. These sounds are very inspiring for crafting ambient soundscapes, echoing Boards of Canada’s penchant for ethereal tones and textured backgrounds. 

Each preset is equipped with four custom macro controls, allowing immediate adjustments to fit your own musical tastes. Beyond ambient pads, the pack includes raspy analog leads, deep basses, and synthetic, Rhodes-like keys that embody a lo-fi charm. Perfect for producers and musicians seeking to channel the Boards of Canada synth vibe, Chroma Campfire enhances any project with its atmospheric depth and analog warmth.

I selected Arturia Pigments for recreating the sounds of Boards of Canada due to its exceptional flexibility. Key features I utilized include noise FM, up to six LFOs to emulate analog-like qualities, and a robust effects section with up to nine effects per patch. This allows for intricate configurations such as using send/return channels and applying distinct effects to various filter and oscillator outputs. The distortion effects are great quality and I was able to get tape-like sounds by layering different types of modulation.

For those who do not own Pigments, the Analog Lab presets offer the exact sounds crafted in Pigments. While these presets lack the ability to change every setting, they are still adjustable through the four custom Macro controls. They are compatible with both Analog Lab Pro and the entirely free Analog Lab Play, ensuring accessibility for all users.

• To use the Chroma Campfire presets, you must own either Arturia Pigments or Analog Lab. There is also a free version called Analog Lab Play, which is fully compatible with these presets.