The delay processing is split into 3 separate modules, linked to the standard delay controls at the top of the interface, although they can all be adjusted independently. Drag the crossover points in the waveform display to quickly set up the frequency ranges of the 3 bands. Then choose a delay time (including dotted and triplet feel), feedback level and gain adjustment for each. This means that you can have a short delay for your low end and longer ones for mids and highs to send them bouncing around the room. On and off buttons for each band allow you to disable any unwanted processing, just in case you want to keep your bass line tight or mid-range clean.

SATURATE, CRUSH & DETUNE

Standard delays for each of the 3 bands sound complex and expansive, but you can push the effect to the limit with 3 effects for each band. These run completely independently of one another and include saturation, bitcrush and detuning. Apply as much or as little of each process as you like to create different kinds of audio effect. Try introducing sparkling highs with saturated harmonics in the upper frequency range. Detune the midrange delay for a wavering analogue feel in the body of the sound. Make your bass line scream with crushed low end.

The built in HAAS control of the main delay unit can create a subtle stereo effect by shifting the timing offset of the left or right channel - a tried and trusted technique for adding space and width to your delay adventures.

LOOKS ARE EVERYTHING

The central window shows exactly what’s happening to each of the 3 bands as the audio passes through the plugin, useful visual feedback to keep tabs on your signal transformations. The 3 coloured waveforms clearly display the effect of each module’s processing allowing for accurate monitoring and surgical shaping at every stage of the chain.

PRESETS

With many included presets, it’s easy to find the perfect shuffle for your instruments and vocals. These factory options can be used on guitars, bass, drums, synths and more. The presets include everything from subtle ping-pong bounces to massive big-room delays that last for days.